Before I introduce Episode II of Mjolnir at the Movies with Neil Westwood and I, I ought to mention what happened to the first episode. ADL-controlled Youtube took down Episode 1 of Mjolnir at the Movies within a few hours of me having uploaded it. Apparently, it was due to copyright infringement, as I had used John Williams' Krypton theme as an intro to the podcast. Yet strangely, many countless other Youtube videos use film scores and clips without any problems whatsoever. We make absolutely no money from videos, do not ask for donations for them, as they are free to make (although Neil has just bought an amplifier for our current music project....), and have not attempted to monetise videos - although we do not as yet have enough listeners to monetise videos or podcasts. The point is though that videos using copyrighted material are usually only taken down when the user earns money from them, so I am more than a little suspicious about the motivations of a company that has for the last few months employed an aggressive Jewish-supremacist group to censor content. Episode 1 however is still available on Soundcloud, which I hope you will enjoy, and I ask that people share it on social media etc. and make people aware of its existence.
If, like me, you are tired of listening to the personalities of the multi-racialist, globalist, woman-hating, Nazi-LARPing Alt Right bathhouse, the best thing to do is create your own content. This is what we involved with Mjolnir are doing - forming an alternative to the Alternative Right. That means creating content that presents true Rightist ideas and ideals, the norms given by Natural Law that keeps people and peoples sound of spirit, mind and body: racial purity, heterosexuality, natural aristocracy and hierarchy, noblesse oblige and the eternal struggle towards higher things. And we must always remember to do these things in the best spirit and humour, even when we admonish those who stray too far from those ideals we hold dear. This is the spirit in which independent film maker Neil Westwood and I have launched a new weekly-ish podcast called Mjolnir at the Movies, in which we look at films past and present from a Rightist perspective.
The main point of postmodernism, which is the prevailing contradictory philosophy of the contemporary age, is the attack on meaning, whether it be on semantics through cognitive linguistics, on prior religiosity and philosophy through deconstruction theory, on history through new historicism, or on culture through the anti-art artificially propped up by bourgeois and foreign wealth. The point of it all is that those in positions of power can create arbitrary labels and assign them to whatever and whomever they see fit. This is now reaching the endgame where any White European can be labelled a racist if he or she wishes to survive, prosper and see a next generation of White Europeans. This is an obvious example, but to use a festive example, in October 2014, the dubious-looking 'erection' below appeared in the Place Vendôme. Why was it put up, for whom and what was its significance?
Prince Harry's engagement to half-caste divorcee and bit-part actress (Rachel) Meghan Markle has had many on the Left dancing with glee and ruffled a few feathers on the Right. Harry had always been seen as the successor to Prince Phillip as the royal who would never bow down to political correctness. The reason this has changed is of course because of Ms Markle's ethnicity, and one sees in this the nature of the real battle between Left and Right and what they stand for. The Right, philosophically, are the defenders of Nature and Natural Order, while the Left seeks to overturn and destroy the goodness of that given by Nature. This is why the True Right have always defended racial purity as normative and endowed by Nature and why the Left has promoted miscegenation as a destructive means. One must never forget that the Left is etymologically and philosophically sinister and the Right etymologically and philosophically for truth and correctness, which is why the Left has invented and needs the imposition of political correctness to quash true correctness.
