The Jeremy Kyle Show has thankfully come to an end after fourteen years. I hope that in the future it is studied as a reminder of how a corrupt political elite exploited the poorest members of their own people for their titilation. The cancelation comes after 62-year-old Steve Dymond killed himself after failing a lie detector text that 'proved' he had been unfaithful to his fiancée. Lie detector tests are notoriously unreliable, yet faith still seems to be put in them in line with the post-industrial religion of the machine. What did the truth matter anyway, when the result gives a reality-TV host the excuse to scream and lambast his 'guest' for entertainment purposes, all dressed up in the guise of high morality?
Back in the days when Disney was still something resembling the company Walt and Roy Disney had founded, the studio embarked upon an ambitious sci-fi project that would cost the princely sum of $20 million two years after and $9 million more than Star Wars. Yet whereas Star Wars became a box office smash and had enormously significant cultural impact, The Black Hole was a much more modest success and was sucked down into a vortex of time and space to the point where few people now remember it. Was the problem the fact that the screenwriters decided that putting Spenglerian philosophy and elements of Gothic horror into the script was a good idea in a kids' film? Find out in this week's instalment of Mjolnir at the Movies:
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In my last article, I wrote about the shenanigans the tricks hosting services and social media platforms get up to to prevent our message getting out. I should also mention that my video on Mühldorf, Jordan Peterson and Holocaustianity has been removed from Youtube, but luckily someone else has reposted it elsewhere on Youtube, so it can still be accessed. Indeed, I encourage anyone who finds my content interesting and informative to repost it on their channels, lest these things disappear after I am gone. Another trick Youtube pulls is to neglect to inform subscribers that a video has been uploaded that they feel is questionable. On my own list of subscriptions is the National Front TV channel, whose video of the latest meeting in Sheffield was "identified by the Youtube community as inappropriate or offensive to some audiences." This means that one has to consent to view it, which is neither here nor there, but more importantly that it will not show up in people's feeds or recommendations lists and that the comments section is disabled. Investigating further, I found that all other National Front videos had been given the same treatment. I realised there must be something peculiar about this particular video for the channel to have been targeted at this particular point in time.....
Every day, new people subscribe to the Mjolnir Magazine Facebook page and to the David Yorkshire and Mjolnir at the Movies Youtube channels. And every day, the admin staff of those host entities pop by to steal a handful of those subscribers. I know it goes on because people have told me how they have been unsubscribed from pages and channels including my own, just as I myself have found myself unsubscribed from pages and channels I had joined. It is petty and tiresome, but it has the effect (((Mark Zuckerberg))) and (((Susan Wojcicki))) require: that proper Rightists grow tired of seeing their subscription numbers never grow or dwindle and give up producing content. I really wish Holly Hazeltree for one would start producing videos again. Our Facebook page has lost over 500 subscribers in the past year despite plenty of new subscribers. This is not a defeat, but a challenge. It is a challenge for us to become more creative in how we advertise the outlets for our content. Memes are a great way of getting out messages simply and in an entertaining way.
"The battle for the mind of
North America will be fought in the video arena, the Videodrome. The
television screen is the retina of the mind’s eye. Therefore, the
television screen is part of the physical structure of the brain.
Therefore, whatever appears on the television screen emerges as raw
experience for those watching. Therefore, television is reality. And
reality is less than television."
So says Professor Brian O'Blivion,
voicing the words of (((David Cronenberg))), whose films Videodrome and
eXistenZ, as we explore, are themselves part of that battle....
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One can see what the establishment elites want to achieve in society by its art. The establishment prop up artists who toe the establishment line by promoting them in the media, organising exhibitions for their work and creating an artificially lucrative market in which artworks become both an ideological and financial currency and an investment that make both artist and investors very rich. By buying into the art, one buys into the ideology behind the art and vice versa so that ideas are disseminated in ever wider circles as more of the bourgeoisie become invested in the culture, who then disseminate the ideology further in the culture on which they impact, so that lower and cheaper levels of culture become infected by the ideology imposed from above. One artist in whom the establishment elites are heavily invested is Marc Quinn, who you may remember created the sculpture of thalidamide victim Alison Lapper that stood in Trafalgar Square commissioned by communist Mayor of London 'Red' Ken Livingstone in opposition to the statue of the great british hero Lord Nelson. For the past ten years, Quinn has been promoting the cult of transgenderism in his art, as well as pornography, starting with the statue of a pregnant Thomas Beattie (below), which he unveiled in 2010.
