It is a misconception that no good art is being created in the
contemporary age. Very little is being created in the mainstream, that is true, but there are
still those who persevere in spite of being starved of publicity, or
even, as in the case of ceramicist Charles Krafft,
receiving negative publicity. Even though his website has not been updated recently, I am pleased to report that Charles is still going strong despite recent illness and simultaneously celebrated and ridiculed the life of Charles Manson in his usual Delftware style:
But what about others who, while not politically aware or conscious, are creating good works of art that are implicitly white, by dint of their aesthetics and subject matters?
David Bellamy died on Wednesday at the ripe old age of 86. Anyone in Britain of my age will have grown up watching him on television as he explained and explored the natural world in his typically exhuberant style that very much appealed to kids. According to the Express, Bellamy died of dementia, although this may be paper talk; Bellamy, after all, did not endear himself to the media in recent years. Bellamy was often outspoken, showing his disdain for wind turbines on BBC flagship children's programme Blue Peter back in 1996; but it was his heresy on climate change that really made the establishment turn against him, which Bellamy referred to as a scam. That said, many on the Right have again been all too hasty to hold him up as #ourguy, for Bellamy, despite his dissent from the establishment line on certain subjects, has always been very much left of centre.
According to early reports, Yesterday's Black Friday broke all sales figures records, up 14.5% on last year. A festival that started in the USA, coming as it does the day after Thanksgiving, it is now consuming Europe. And that is indeed the nature of the beast: consumption. It is perhaps the first festival that was founded on the religion of consumerism. Such a quasi-religious festival had to have been born in the Anglosphere, where capitalism is bound to the Reformation and the ensuing Puritan tradition that gave birth to economic and social liberalism. Was it not that theologian beloved of the American descendants of Scotsmen and Northern Englishmen, John Calvin who said, 'Greed is good, greed works'? Something like that anyway. I'm glad we got shut of them after the Restoration. Anyway, Black Friday is now being exported. Even in the usually anti-capitalist France, Black Friday has been promoted relentlessly this year. The French term for this is 'vendredi fou', although it tends to be kept in English in line with the European Union's attempt to reduce all European languages to dialects of English, although the Wikipedia site claims this is translated as 'vendredi noir', showing again how that site is written by spergy but dim sixth formers.
The power of comedy is well-known. Such is its power that the Left keep a beady eye fixed on dissent from their politically correct line. Triggering is the reaction the megalomanical Left has whenever it perceives a potential loss of power. This is why politically incorrect jokes trigger Leftists. Bernard Manning was and Chubby Brown has been pilloried for years because of their refusal to toe the PC line. Jim Davidson has made the mistake of apologising for his previously "racist", "homophobic" and "sexist" act. It has not stopped the Left from hounding him and it has not got him back on television, apart from sporadic appearances on reality TV shows. All the mainstream television channels are now rigorously policed in case a rogue straight white male comedian should step out of line and offend a protected minority group. One way of policing TV comedy is to simply bar straight white males from the airwaves, which the BBC in particular is currently in the process of achieving.
So Atifa Shah, the Labour Party's latest in a long line of Muslim high-fliers, has defected to the Conservative Party in time for the general election next month. As well she might; after all, she wants to be on the winning side. And of course she stands for true conservative values; after all, she wants to conserve Muslim traditions and never misses an opportunity to push the Muslim agenda. Just as she stood for Labour's socialist values of looking after minority groups, particularly ones from backgrounds that are ethnically other; after all, she wants to look after her own community and this is all very noble. We ought to do likewise. She has been at the forefront of the promotion of women, yet has had little to say on the subject matter of Muslim Asian gangs raping and prostituting young white girls in her constituency of Rochdale, as might be expected, although all this seems to be in line with the policies of both parties she has represented.
I wasn't going to bother writing about the Rugby World Cup, but as someone over at Counter Currents has covered it without addressing the real issue, I thought I'd chip in with a short article. As someone who actually played the sport back in the 1990s, I feel I'm a little more qualified than many to comment on how the game has been transformed. When I first started playing at adult level, the whole of rugby union was amateur, ruthlessly so. Anyone who had been paid to play professional rugby league was not permitted to play union and a declaration had to be signed. Most at the rugby club I played for openly displayed their disdain for homosexuals and persons of colour. This was the norm and rightly so. Fast forward a mere twenty years and these normal and natural attitudes have been stamped out - at least superficially. But Nature will always seek to reassert herself and such attitudes will become the norm again as soon as the establishment propaganda machine and means of legal coercion are removed. Equally, national attitudes have also changed, which brings me back to the World Cup.
In this Halloween special edition of Mjolnir at the Movies, James and David Yorkshire
take a look at Youtube sci-fi channel Dust's sister channel Alter, which
showcases horror shorts. We start with a few of the more politically
driven films, of which there are more of than on the Dust channel, such
as the awful 'The Invaders', before moving on to some horror-comedies
and more serious efforts of varying degrees of quality. We save the best
for last though: a truly original piece of stop motion animation
entitled 'Operator'. Please subscribe to our channels and share on social media.
From mindless Tommytards to Aut Right sell-outs, I always hear the same cries that I am politically naïve or that I somehow do not understand what good-old Tommy Robinson does for the cause. Which cause these people really mean is a matter for debate. I and others have exposed Robinson on many occasions before (click on the Tommy Robinson link below), but I want to show the difference between convicted thug and fraudster Robinson and someone who is doing good work for the cause in the mainstream and acts as a genuine gateway to our political position. I speak here of the film maker Michael Kingsbury, whose work was introduced to me by James from Mjolnir at the Movies. For those who have never heard of him, Kingsbury has made a series of films called the Gulag Trilogy, consisting of Gulag Barashevo (2015), Gulag Vorkuta (2016) and Gulag Magadan (2017), in which he unflinchingly explores the white genocide project of the Soviet Union and its empire in Eastern Europe, the real Holocaust no one in the mainstream wants to mention.
An ideal film and topic for this month as we approach Halloween, as
David and James are joined by Hanna to discuss one of her
favourite films, The Witches (1990). She also brings with her a watchful
child in order to ensure no witches are present at the time of
recording or able to listen in later as we know from this film that a
witch trying to listen to a child for any length of time would drive
such a creature mad. A great piece of children's fiction by Roald Dahl
adapted to the big screen and blessed by the incredible talents of Jim
Henson himself in his last work for the big screen before he sadly died.
How does the film hold up today and what messages and meaning does it
have? Such tangents this episode include the 'blood libel', Tessa Dahl's revelation about Gary Glitter's paedophilia on This Is Your Life, the elites' penchant for child abuse, Esther Rantzen and (((children's charities))), folk tale and faery tale, and much more.... Spoiler warning as always.
James and David Yorkshire take a look at the website and Youtube channel
Dust, a platform for independent film makers of sci-fi fiction to
showcase their short films. We analyse a few of the best and most
interesting - as well as the worst - films on the Dust platform. We end
by reminding people of the good work of independent film maker Michael Kingsbury and urge people to support him.
Let me first point out that I have no problem with Greg Johnson personally. I think, unlike many in the Aut Right, that he has done some sterling work in publishing Rightist poets, authors and philosophers like Juleigh Howard-Hobson, Tito Perdue and Jonathan Bowden. Indeed, contrary to how certain miscreants of the Aut Right attempt to portray me, any critiques I give are utterly impersonal. I do not care one jot about the 'flame wars' between the various personalities of the Aut Right who jockey for position and fame. Beyond exposing out-and-out frauds, the only thing I am interested in is the progression of the wider nationalist movement itself, and the question I always pose is: Does it help the movement? And this is exactly at the heart of the problem with Greg Johnson's essay "Gay Panic on the Alt Right". Although an old essay written in 2016, it resurfaced in the volume The Alternative Right, which mysteriously found its way to my doorstep a couple of months ago.
As the 70th anniversary to George Orwell's Nineteen Eighty-Four has come around, the Mjolnir at the Movies crowd decided to review.....Brazil (1985). We have a look at this dystopian
satire and what it reveals of the qualities Terry Gilliam has as a
director, the connections to Nineteen Eighty-Four, how much of it really
is satire and who might appreciate and identify with this movie. We
examine Gilliam's influences and why this tends to be a favourite with
Rightists, despite Gilliam's open support of Leftist politics. Do Sam Lowri and Harry Tuttle provide inspiration for domestic terrorists like Timothy McVeigh?
I thought I would recycle another of my old articles, which was in any case originally published on a website I no longer support. The rather dubious people behind that website have now removed my name from the article, but let it stand, in line with their dishonesty. There are two main reasons I wish to republish it here. The first is that a few weeks ago I received a copy of the Counter Currents publication The Alternative Right, in which an expurgated version of an article of mine appears, which was written back in 2016 before I became aware of just how fake and corrupt the Aut Right actually was. What is interesting though is Greg Johnson's essay 'Gay Panic on the Alt Right', in which he defends the LGBTQ+ community within the Aut Right. I aim to critique this essay in my next article, and this article below sets out the general philosophical arguments against homosexuality, as I have always considered homosexuality a symptom of mental illness. Certainly, scientists from over thirty major academic institutions have now conclusively proven that, contrary to their slogans, most homosexuals were not 'born this way' and there appears to be no 'gay gene', and is the second reason for republishing this article now, as philosophical arguments against homosexuality are now weighted by hard science. The onus is therefore on homosexuals to prove homosexuality has social value, which is a task Counter Currents seems to be engaged in, and where Counter Currents and Mjolnir Magazine profoundly disagree.
In Episode 25 of Mjolnir at the Movies, we review the Terminator franchise, in other words all five films and even the series The Sarah Connor Chronicles, with a look ahead to the forthcoming Terminator: Dark Fate. Such themes addressed include Linda Hamilton vs Mary Sue, the acting prowess of the Styrian Oak, the strange need for death camps and motorcycle knees in Terminator: Salvation, how masculine cinematic iconography is reused and recycled, the most inappropriate times for women to wash their tits, James Cameron's evolution into shitlibbery, the effects of marketing on film making, and Terminator midgets and Twinkie bars....
This is an old article of mine from 2011, which I thought I would share with a few amendments, although the original can still be found on the British Democratic Party website. Regarding the 'Out of Africa' debate, it has become even more questionable as a reliable theory, which one has to remember started out as a fringe theory that was ridiculed before more evidence appeared to back it up from the 1920s onward. Forgetting the lesson of a century ago, that theories are often debunked in light of new evidence, people are now ridiculed for questioning a theory that more and more scientists are proving may be utterly false. Indeed, in 2017, tests done on skeletal remains from Graecopithecus freybergi appear to show a probable European forebear from 7.2 million years ago separate to Sahelanthropus tchadensis (which may or may not be a human forebear) from 7 million years ago. This evolution from separate ancestors was what scientists in the Far East had maintained was a distinct possibility and which I also mentioned in the article.
Last weekend marked the fiftieth anniversary of the music festival Woodstock. Held between 15th and 18th August 1969, the event has been heralded as one of the landmarks of the alleged former counterculture, now the prevalent cultural hegemony. It was billed as "An Aquarian Exposition" and "3 Days of Peace & Music", and was descended upon by around 400,000 impressionable baby boomers hungry for hedonism. The Aquarian reference is important, because it gives away the underlying ideology of "the Age of Aquarius" behind the event purported as innocuous at the time. Indeed, on this fiddieth anniversary of Woodstock, the media have not stopped crowing about how the event shaped hearts and minds and helped change society.
In this podcast, James, Neil and David take a look at Joe Dante's 1989 horror-comedy The 'Burbs, which featured a star-studded cast (Tom Hanks, Carrie Fisher, Bruce Dern, Henry Gibson, Corey Feldman) and was widely loved by the general public, but derided by critics. Indeed, we call professional film criticism into question, but also examine why Dante's blend of horror-comedy actually works, even though the critics do not seem to understand it. Also, Pizzagate rears its ugly head again....
The Mjolnir at the Movies trio look at the Academy Award winning film Chariots of Fire, perhaps most famous for its musical score by Vangelis. Superficially, the film seems to be a triumph-against-anti-Semitism vehicle for Zionist propaganda; but is it really? Is the portrayal of Harold Abrahams at all flattering? And is not the moral of the story that British society was simply too liberal, and in being so, allowed itself to be transformed by people like Abrahams? We take a look at the tension between the bourgeois ethos and the aristocratic ethos and how mercantilism transformed the world of sport. By breaking the moral codes of amateurism, Abrahams might have won gold at the 1924 Olympics, but did Britain?
In this Now Showing, James and David discuss the new Lion King and other
unnecessary remakes and sequels, the latest women-replace-men flick The
Kitchen, Tarantino's covering for Jollywood paedophile Roman Polanski
and its link to his new film Once Upon a Time in Hollywood and Polanski's imminent suffering-Jew flick An Officer and a Spy, and the
freshly filmed adaptation of Frank Herbert's Dune, due out next year,
among other things. We attempto to answer the greatest question in film: why are there so few creature features involving jellyfish....?
In this episode of Mjolnir at the Movies, we look at two thematically connected films: D W Griffith's epic masterpiece The Birth of a Nation and the equally majestic Gone with the Wind. Both concern the American Civil War and Reconstruction Era and both have courted their share of controversy, particularly The Birth of a Nation, in which the Ku Klux Klan are portrayed as liberating heroes. The film is rather topical, as last month, Bowling Green State University removed the pioneering star of the silent screen Lillian Gish's name from their theatre after a visit from Black Lives Matter co-founder Opal Tometi. The battle for the reinstatement of her name is still ongoing and supported even by actors like Helen Mirren and James Earl Jones. As the film is in the public domain, we have put it on the Mjolnir at the Movies channel for your viewing:
A few months ago, I had the honour of being contacted by the artist, musician and poet Robert N Taylor, who enquired about the possibility of me contributing some poems to a forthcoming anthology of the Red Salon Poets, a collective named after Robert and his wife Christina's sitting room. Naturally, I was only too pleased, and sent several poems to his wife Christina Finlayson Taylor, who was editing and also contributing to the collection, which she and her friend and fellow poetess Juleigh Howard-Hobson had named We've Seen the Same Horizon. Perhaps the greatest absence in the collection is some poetry by Robert himself, who provides a foreword, but this is not to detract from talents like Christina and Juleigh. I knew Juleigh's excellent work even before she appeared in Mjolnir Magazine, but Christina is a revelation to me, and her poetry is up there with the best I have seen. There are few who can write a convincing sonnet these days, but Christina is among them.
IT'S BACK! Banned by Youtube, this is a serious look at the Holocaust as
a religion, as preached by its priesthood in the halls of
pseudo-academia. We journey to Mühldorf in Bavaria to take a look at the
former concentration camp in the forest of Waldkraiburg and investigate
what really happened and expose some of the disinformation propagated
by the likes of the intellectually dishonest Jordan B Peterson. Note
well: This is not intended as hatred against any particular ethnic
group. Due to Youtube's repression of any intelligent inquiry into any contentious subject beyond parroting the quasi-religious dogma proffered by the political elites, we at Mjolnir Magazine are moving over to BitChute, so please subscribe to our channels:
Yes folks it's memes time again. We enjoy taking the piss as much as intellectual discussion here at Mjolnir Magazine, and there is no shortage of material to go at, whether it be the retardation of the Left, kosher consoivatism, or the shibboleths of Aut Right LARPing fakery. I hope they will amuse and entertain As I have stated before, we put the Mjolnir Magazine logo on our memes to advertise our channels, as the likes of Faceberg and Joutube like to keep us hidden away, as do our frenemies on the Aut Right. We begin, however, on a more serious and sombre note, as today marks the sixteenth anniversary of the murder of weapons expert Dr David Kelly by the British state under Tony Blair, which was covered up during the tribunal ordered by parliament the Hutton Inquiry.
The Mjolnir at the Movies crew does something a bit different this time, as we become Mjolnir at the Miniseries to tackle G.B.H. by Alan Bleasdale.
Originally broadcast in 1991 on Channel 4 and still viewable on their
website via the 4 on demand streaming service area, which works for UK IP
addresses, but otherwise of limited availability (DVDs might be
available in your area), the series is almost forgotten today, beyond some with good
taste and a memory for TV. An
impressive cast of well known British TV actors are included and some,
such as Michael Palin, will be recognized internationally. Lead
actors Michael Palin and Robert Lindsey both consider this to be the
best or one of the best things they've ever acted in, with Michael
specifically quoted as saying it was some of the most powerful acting
he's ever done. Well worth watching this series before or along with us
in these episodes if you can somehow. There will be spoilers! In the first of our episodes of this four-parter, we discuss why Bleasdale's miniseries, which is a critique of the Leftist politics of the time from a Leftist perspective has been pushed down the memory hole. Why indeed is the series an embarrassment to the Left? We also have a close analysis of Episode 1 of this seven-part series and begin to address some of the major themes....
It is the current fashion in populist and nationalist circles to be anti-Brexit. As I have mentioned before, I think Brexit is a distraction and that nothing can change until the present dispensation of politics in Westminster is also eliminated, which is identical to that of the European Union. Having seen various podcasts and posts by so-called nationalists who have latched onto Brexit as some kind of potential quick fix to our problems, I also think that becoming too involved in Brexit often turns nationalists into populists. They then quite quickly become attached to the cults of personality of various celebrity politicians, one of whom is Ann Widdicombe, who returned from retirement to join the Brexit Party just in time for the European elections at the end of May, resulting in her being elected as an MEP. I recently saw that many alleged nationalists had posted this video of her first speech in the European Parliament on Facebook and elsewhere:
Rondò Veneziano is an Italian and Swiss chamber orchestra led by composer Gian Piero Reverberi and formed by him in 1979. They still tour to this day, despite Reverberi pushing eighty, and will be performing in Lucerne on 20th October. What is unusual about the ensemble is that, although specialising in forms of music from the Baroque and Classical periods, particularly the rondo, hence their name, they have a modern bass and drum rhythm section and synthesisers. Specifically, there are usually nine members: one bassist, one drummer, three violinists, one violist, one cellist, one oboist and one flotist. This updates classical orchestral compositions, both rearrangements of old works and new original pieces, into more of a classic or prog rock intermediary. Rondò Veneziano have always worn period costumes when performing, which distinguishes the group from any possible session musicians to create an extended orchestra for live performances; but for their album La Serenissima, released in English as Venice in Peril, the orchestra themselves sometimes appeared as robots in period costume for publicity events, reflecting the artwork of the album cover and thus aesthetically blending tradition and futurism. There is, then, with regard to tradition, a definite congruence with the exhortions of a certain poet-philosopher of Italian fascism to 'make it new.'
James from Mjolnir at the Movies takes the reins for this beer and mead-fueled discussion about Paganism, runes, beliefs and how they impact
life, culture and a society as a whole. James, Neil, Hanna and I are joined for this
discussion by our special guest for today, Astrid the Red, who brings
with her not only insight into her life with these things and how it has
been changed by it, but also gives her experience of life in Canada and
how things have changed there too over time and in the hands of the
current government. We look at the differences in the Abrahamic-Semitic outlook in contrast to the Pagan-European one and how the adoption of Semitic religions has directly led to the destruction of Nature. Please subscribe to James' and Astrid's channels for more interesting content. I personally do not endorse the esoteric Hitlerism Astrid is interested in, as, contrary to Miguel Serrano's assertions, Hitler was a Christian, something I will be exploring in later videos.
John Ruskin (1819-1900) is an important and much-neglected philosopher by Rightists. A huge influence on the Pre-Raphaelites, he was concerned largely with the philosophy of art from a Rightist viewpoint and in a practical sense in its effects upon civilization and society. One of the most neglected subjects in art in the contemporary age is aesthetics, and Ruskin's essays provide a great insight into why aesthetics is important and why the Left so wishes to debase that which is beautiful. Here, he refers to the "false Puritans", just as I have referred to Leftism as the Puritanism of Perversity, especially in the anti-art of Marina Abramovich. I, of course, do not share his opinion on the good moralising effect of Christianity, but he is correct in that modernity and wealth has brought brokenness and corruption, and that the moral state of society is reflected in its art, just as he is correct that "the truly great nations nearly always begin from a race possessing
this imaginative power". An accomplished artist himself, I have interspersed the essay with a few of his works.
For those who do not know who he is - and most outside of Britain will not - Michael Barrymore was a generally well-loved television presenter and game show host in the 1980s and '90s, particularly by elderly women. In 1995, Barrymore publicly came out as homosexual after having led a double life away from his nineteen-year marriage to Cheryl, who was also his manager. The other Michael, who the public never saw, was a drug addict and alcoholic who had previously assaulted his wife, the police putting her on the at risk register. I still maintain that one of the causes of homosexuality is mind-altering drug use. After coming out, every on-camera joke and remark became about 'being gay', as it consumed his life, just as 99% of homosexuals become singularly consumed by this lifestyle choice. Everything was camped-up and over-the-top. Cheryl was repeatedly publicly embarrassed and an acrimonious divorce ensued. People began to switch off. Ratings dropped and his show Barrymore was eventually cancelled. Yet strangely, in spite of his drop in popularity, new vehicles were always found for him and he consistently won the National Television Award for Most Popular Entertainment Presenter until his depraved lifestyle got the better of him and public outrage ensured awarding him the prize was no longer justifiable.
As Neil is absent, James and David discuss the latest goings on in the
film world in this new format of Mjolnir at the Movies: 'Now Showing', with a look at the films just gone, the ones currently in
the cinemas and the ones due for release, including the Tolkien biopic,
Avengers: Endgame, Brightburn and the next wave of superhero films. We
also look at independent film studios Dust and Celtic Films, the latter
run by the director Michael Kingsbury. Kingsbury has made a trilogy of dramatic films about the Soviet gulag system: Gulag Vorkuta, Gulag Barashevo and Gulag Magadan and he does not avoid the JQ. More on this below, but first, the podcast, which can also be found on Bitchute. Please subscribe, as all videos will slowly be transferred over to this more accommodating platform.
Last Saturday's headline heavyweight boxing event at Madison Square saw a huge upset. The press have exaggerated its magnitude, but it was certainly a bigger upset than Lewis vs McCall, perhaps as big as Lewis vs Rahman on paper (but which was expected by those who realised Lewis had undertrained), but not as big as Tyson vs Douglas. Nonetheless, Anthony Joshua's loss to squat, fat Hispanic Andy Ruiz will go down as one of the great shock results of heavyweight boxing. After Ruiz got up from a solid uppercut square on the chin in round three, Joshua found himself suddenly tasting the canvas and was on the back foot from there on in, being put down with ease several times before the referee waved it off in the seventh round. Joshua half-heartedly protested that he was fit to continue, but the vacant look in his eyes, of a man who didn't quite know where he was, who had lost any ability to defend himself and who had already spat out his gumshield in resignation, told a different story. As a White European, I watched this bout as a neutral, but the politics behind the fight were as interesting as the match itself and certainly more relevant in a sport that has always been heavily politicised.
The Jeremy Kyle Show has thankfully come to an end after fourteen years. I hope that in the future it is studied as a reminder of how a corrupt political elite exploited the poorest members of their own people for their titilation. The cancelation comes after 62-year-old Steve Dymond killed himself after failing a lie detector text that 'proved' he had been unfaithful to his fiancée. Lie detector tests are notoriously unreliable, yet faith still seems to be put in them in line with the post-industrial religion of the machine. What did the truth matter anyway, when the result gives a reality-TV host the excuse to scream and lambast his 'guest' for entertainment purposes, all dressed up in the guise of high morality?
Back in the days when Disney was still something resembling the company Walt and Roy Disney had founded, the studio embarked upon an ambitious sci-fi project that would cost the princely sum of $20 million two years after and $9 million more than Star Wars. Yet whereas Star Wars became a box office smash and had enormously significant cultural impact, The Black Hole was a much more modest success and was sucked down into a vortex of time and space to the point where few people now remember it. Was the problem the fact that the screenwriters decided that putting Spenglerian philosophy and elements of Gothic horror into the script was a good idea in a kids' film? Find out in this week's instalment of Mjolnir at the Movies:
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In my last article, I wrote about the shenanigans the tricks hosting services and social media platforms get up to to prevent our message getting out. I should also mention that my video on Mühldorf, Jordan Peterson and Holocaustianity has been removed from Youtube, but luckily someone else has reposted it elsewhere on Youtube, so it can still be accessed. Indeed, I encourage anyone who finds my content interesting and informative to repost it on their channels, lest these things disappear after I am gone. Another trick Youtube pulls is to neglect to inform subscribers that a video has been uploaded that they feel is questionable. On my own list of subscriptions is the National Front TV channel, whose video of the latest meeting in Sheffield was "identified by the Youtube community as inappropriate or offensive to some audiences." This means that one has to consent to view it, which is neither here nor there, but more importantly that it will not show up in people's feeds or recommendations lists and that the comments section is disabled. Investigating further, I found that all other National Front videos had been given the same treatment. I realised there must be something peculiar about this particular video for the channel to have been targeted at this particular point in time.....
Every day, new people subscribe to the Mjolnir Magazine Facebook page and to the David Yorkshire and Mjolnir at the Movies Youtube channels. And every day, the admin staff of those host entities pop by to steal a handful of those subscribers. I know it goes on because people have told me how they have been unsubscribed from pages and channels including my own, just as I myself have found myself unsubscribed from pages and channels I had joined. It is petty and tiresome, but it has the effect (((Mark Zuckerberg))) and (((Susan Wojcicki))) require: that proper Rightists grow tired of seeing their subscription numbers never grow or dwindle and give up producing content. I really wish Holly Hazeltree for one would start producing videos again. Our Facebook page has lost over 500 subscribers in the past year despite plenty of new subscribers. This is not a defeat, but a challenge. It is a challenge for us to become more creative in how we advertise the outlets for our content. Memes are a great way of getting out messages simply and in an entertaining way.
"The battle for the mind of
North America will be fought in the video arena, the Videodrome. The
television screen is the retina of the mind’s eye. Therefore, the
television screen is part of the physical structure of the brain.
Therefore, whatever appears on the television screen emerges as raw
experience for those watching. Therefore, television is reality. And
reality is less than television."
So says Professor Brian O'Blivion,
voicing the words of (((David Cronenberg))), whose films Videodrome and
eXistenZ, as we explore, are themselves part of that battle....
Please subscribe, share and help the channel grow:
One can see what the establishment elites want to achieve in society by its art. The establishment prop up artists who toe the establishment line by promoting them in the media, organising exhibitions for their work and creating an artificially lucrative market in which artworks become both an ideological and financial currency and an investment that make both artist and investors very rich. By buying into the art, one buys into the ideology behind the art and vice versa so that ideas are disseminated in ever wider circles as more of the bourgeoisie become invested in the culture, who then disseminate the ideology further in the culture on which they impact, so that lower and cheaper levels of culture become infected by the ideology imposed from above. One artist in whom the establishment elites are heavily invested is Marc Quinn, who you may remember created the sculpture of thalidamide victim Alison Lapper that stood in Trafalgar Square commissioned by communist Mayor of London 'Red' Ken Livingstone in opposition to the statue of the great british hero Lord Nelson. For the past ten years, Quinn has been promoting the cult of transgenderism in his art, as well as pornography, starting with the statue of a pregnant Thomas Beattie (below), which he unveiled in 2010.
There are two Rollerballs: one that didn't descend and the other that
was a testosterone-fuelled wrecking ball. As usual, the original 1970s
version is the one that works, and so the one we concentrate on after
getting the 2002 version out of the way in the first of this double bill of videos. We look at the major themes like collectivism versus the individual, corporate society, violence, sport as religion and the role of culture, and ask the question, can the 1975 version be classed
as a Rightist film despite its Chewish star?
While I am not a Christian, I appreciate church and cathedral art and architecture more than most, for I remember that while the religion is a foreign import that has been instrumental in crushing the soul of European Man, the aesthetics are indigenous to Europe and will be instrumental in its restoration. Unlike some Pagans I could mention, who in any case seem to love an even less European religion in Hindooism, I therefore have mixed feelings about the fire that has brought down the spire and roof of Notre Dame Cathedral in Paris. There are of course suspicions about whether the fire was started deliberately, and inevitably, we on the Right look towards those who have sought to invade and conquer Europe, whom our corrupt politicians and businessmen have now invited in willingly. Whether the incendiary is yet another Islamic atrocity is yet to be seen, and even if it is, it will probably be covered up by our equally corrupt journalists, who have become cowardly and perverse apologists for Muslim terrorists. After all, several French churches have 'accidentally' burned down in the past year, according to the press. What is clear though is that Muslims certainly see the destruction of Notre Dame as a source of amusement and joy:
Television and the media in general interpret the world for the masses. The problems are not just with who gets to do the interpreting and with the dishonesty of the interpretation, but also with the dishonest personae of the people most viewers - even sceptical ones with regard to interpretation - buy into as genuine. To give you an example of what I mean, I'll give a little commentary on the clip below from the Dick Cavett Show. As you will see later, it is very relevant to contemorary events. In a mirror of contemporary life, John Wayne is absent from the studio, just as he is now long deceased in real life, while Cavett and Kirk Douglas live on, Douglas currently at the ripe old age of 102. Douglas and Wayne both had their names changed in order to play the heroic masculine characters with whom they became synonymous, Wayne, born Marion Morrison, probably because his name was too effeminate (although he himself had no part in the decision), and Douglas, born Issur Demsky, because it was too foreign.
James from Mjolnir at the Movies (a.k.a. Bevel E on Youtube) gives an illuminating and insightful interview with Neil Westwood also from Mjolnir at the Movies about his sensational new synthwave music project in this three-part podcast on his Youtube channel, to which you ought to subscribe, as there is other good stuff on there too. In the first part, Neil talks about the conception of ideas and the importance of the environment, particularly Nature and the knowledge of localalised tradition for inspiration. He emphasises the importance of hard work and practice in honing one's talent and references his musical influences, as well as discussing why music is important in raising morale on the Right.
In the comments section of the Mjolnir at the Movies channel (please subscribe!), we had a request to look at Sidney Lumet and Paddy Chayefsky's 1976 film Network, a
Chewish satire on the TV stations they own, but pretend they don't..... And so here is the podcast, which examines the politics of television and the New World Order created not just via internationalist socialism, but especially via liberal capitalism.
In this episode, we contemplate the riddle of steel and how Jason Moomoo
ended up with a nice juicy role as Conan the Libertarian in spite of
his lack of any discernable ability. We also look at other incarnations,
like Conan the Feminist and Conan the Babysitter, but concentrate on
the proper Conan of Conan the Barbarian. Could it be that Conan the
Barbarian is one of the most Rightist films of all time.....despite
being written and directed by a Chew? Please subscribe to the channel.
The First Book of Kings in the Old Testament recounts the story known as the "Judgement of Solomon". It allegedly demonstrates the wisdom of the Jewish king and reinforces the notion of the wise Jew. It is a very convenient story, for what would have happened if both women had refused to give up their claims? The Judaic tradition has a more complicated story, whereby the woman who falsely claims the child is the child's own sister-in-law and does so to avoid being forced to wait to marry her brother-in-law when he comes of age due to the death of her husband - such are the peculiarities of Hebraic law. The woman therefore actually wanted the child dead. In light of this additional background information, does this not then rather show the perversity of Jewish culture and law and those who enforce it? Let us now turn our attention to the contemporary Soloman, who has acquired Solomon's powers over White European Gentiles: John Bercow, the current Speaker of the House of Commons.
The Mjolnir at the Movies team look at Eyes Wide Sh*t and deconstruct
the Kubrick myth. Is he really that good a director? What are his films
really all about? we also take on the Jollywood paedophilia epidemic and
the (((elites'))) lifestyles, as well as conspiracy theories and
Kubrick's flirtations with them. Please subscribe, leave a like, share
on social media and help the channel grow.
In this installment, Neil, James and I take on Robocop....and beat him by using the stairs. What made the original Robocop so memorable and the reboot so forgetable? Why did the original trilogy decline? In fact, why does no one remember the third film? Or the series? Or the cartoon? All these questions will be answered with a large helping of ultraviolence that would makes Brenton Tarrant after a visit to Israel look tame. Subscribe subscribe subscribe.....
I have many issues with Christianity. At base, it has a completely alien world view to the European logos. In some ways Protestantism is better than Roman Catholicism and vice-versa in Western Europe, always when the Semitic tradition is abandoned in favour of something more European. The Roman Catholic Church's obsession with celibacy has been particularly unnatural and it is no coincidence that the Church itself has become a hive for sexual delinquents who have practiced sexual abuse on our children. Not only this, but successive popes and their cardinals have conspired to cover up both individual cases and the sheer scale of systematic and institutionalised abuse of the most vulnerable members of society for whom the clergy had a duty of care. The abuse has also been an abuse of trust and power in which the clergy had been confided. Now, the current active pope Francis has been using the scandal to deflect blame onto 'Pagan practices' within the Church of Rome, which sounds suspiciously like Puritan rhetoric. So what is going on here?
This is just a quick article to publicise Bevel E's (James from Mjolnir at the Movies) Youtube channel. It is well worth subscribing to, as he is now making regular content and content that concentrates on the positive side of nationalism, traditional life and Paganism. A few days ago, you may remember I publicised his video in which he creates a runic pendant. As I have said many times before, too many in the movement, especially in the retarded section of the Aut Right, wallow in pessimism and despair. This is not our way here at Mjolnir. Positive thinking leads to positive action and positive outcomes. Bevel E/James thus concentrates on artisanry, culture, humour and Nature. What could be better? I have included his three latest videos here. The first video is a simple walk in and reflection on Nature in order to recharge the batteries.
The Mjolnir crew take on M Shight Nyalamanalmalanam's Unbreakable
Trilogy, which starts off brilliantly with 2000's Unbreakable, continues
well with 2017's Split and peters out disappointingly with this year's
Glass. We explore how the director lost his touch, but remark how refreshing it is to have films where politics are
pushed to one side for a change.
Another episode of Mjolnir at the Movies is up, in which we take on Mel,
the Son of the Gibs' epic piece of anti-English propaganda Braveheart.
We discuss the problems of petty nationalism and how this is often used
to keep people infighting and away from racial nationalism, and how propagandist pseudo-history taps into this. We also look
at whether Glibson is #OurGuy, given certain drunken ramblings about a certain tribe who control Jollywood.
Like any good Pagan, James (Bevel E on his Youtube channel), who is one third of the Mjolnir at the Movies crowd, believes in activity, as opposed to Christian passivity, and particularly in the divine activity of creation. Both his artisanry and Pagan religiosity are brought together in this short demonstration on creating a wooden runic pendant. The finished product is superb and James is far too modest for his own good in the video. Please subscribe to his channel, as he has a great sense of humour in his videos and I'm sure we can expect a lot more good stuff coming from him in the future.
It's over to James for this one, who proves himself far more adept at computer graphics than Neil and I. Using stills from the films, James takes a look at the aesthetics - and
lack thereof - of the Matrix Trilogy, paying particular attention to the
Matrix Reloaded. What do the aesthetics signify and what is their purpose? Please subscribe to the channel and also to James' channel, which can be found here and which also has some great content he has created alone.
It might have been described as a postmodern tragi-comedy. Instead of a flawed king, we had Jack Sen, the man who would be king, a figure made both ridiculous and yet plausible. As with all postmodernist theatre, it lacked the great truths of the Ancient Greek stage, but it was theatre nonetheless and the personae involved were actors playing parts. Among the supporting cast were the overbearing mother Faye Lowley, like a postmodern Olympias to Jack Sen's Alexander, but more....well....lowly, and the interviewer and presenter Alice Levine, like a Jewish chorus whose wisdom and commentary are false. Indeed, it ought to come as no surprise that many falsehoods and lies were perpetrated during Channel 4's "Sleeping with the Far Right", which we will now expose, as well as delving into the purpose of what the documentary was meant to serve.
Over a year ago now, super middleweight and light heavyweight boxing champion Andre Ward retired undefeated at the age of 33. Whatever one might think of his dirty tactics and lack of entertainment value, there is no doubt he was extremely good at his craft and his opinion as a pundit is valued and respected. He is also half-caste, but this ought to have no bearing on how we view his insight into boxing, for he obviously has an honest perspective - in contrast to the LDBC. LDBC stands for Lion's Den Boxing Community. It is a collection of Youtubers of and for Negroes of the Black Lives Matter variety and comprises channels like Thaboxingvoice, Worldbreaker Fighting and Blue Blood Sports TV. The bias shown towards black fighters and their monocular view of bouts and politics both within and outside the sport are as exaggerated as they are unsurprising. It is in this spirit in which LDBC Youtuber Barbershop Conversations approached Andre Ward to berate him about his views on heavyweights Tyson Fury and Deontay Wilder.
Mjolnir at the Movies is back as Neil, James and David take on the Mad
Max film franchise, especially the reboot Fury Road in which Max no
longer seems to be the star. Is George Miller cashing in on the name in
order to sell us a steaming turd? Can Mothers' Milk save us from toxic
masculinity? Did Charlize Theron adopt her child to match her leather
sofa? All these things and several explosions and car chases guaranteed
in another action-packed installment….
In this three-part video series, we visit Stift St Peter in Salzburg, which is a multi-faceted monastic complex dating originally from the end of the seventh century after the collapse of the Western Roman Empire and founded by St Rupert. What a good place, then, to talk about how and why Christianity swept through the Roman Empire, replacing the various forms of Pagan worship. In the first video, we talk a little about the edifice itself, before examining a text by the Roman historian Sallust, writing before the birth of Jesus of Nazareth, whose De coniuratione Catilinae presents a good picture of the moral vacuum in Rome, which Christianity would come to fill, and the reasons for it. Strangely, or perhaps not so, Sallust also seems to be describing the present day....
I will admit to watching television programmes like Antiques Roadshow and Bargain Hunt, although I refuse to pay for the licence fee, as it broke its charter long ago, and there are ways and means of watching the BBC for free.... I once even went so far as to apply to be a contestant on Bargain Hunt back in the David Dickinson days. As with many BBC programmes, my enjoyment of them has waned considerably due to "diversification". Yes, even in these most English of programmes, an unhealthy dose of diversity has been added. Since getting rid of presenter Tim Wonnacott in 2016, who kept the show within a certain all-White group of antique dealers, the BBC have added several non-White so-called experts: Raj Bisram, Danny Sebastian and Gary Pe. All of them are there to express their Otherness and deconstruct British history and culture.
There is little more to be said about the latest Gillette television commercial, which was dreamed up in the palsied cankered mind of feminist Kim Gehrig, and I do not wish to indulge in the bad news porn of an analysis. We know that it was aimed specifically at White Men and portrayed us as bullies, effete, misogynists, weak and so on, and crossed the line from advertising to propaganda - although where one form begins and the other ends is open to debate, and I think there is always an element of propaganda in advertising and vice-versa. The question is, what are we going to do about it? Well, I am happy to see that there has been a move to boycott Gillette products already, which is gathering traction. This has already been criticised by feminists on 4Chan, Twitter and elsewhere, who have pointed to the fact that advertising has been used to manipulate women's behaviour for decades. They are quite right, but the same also goes for men. Indeed, men have been on the brunt of some of the most heinous advertising in history. Who can forget this little poster that manipulated men into throwing themselves into the industrial mincing machine of the First World War?
I have been critical of the political party Alternative für Deutschland (AfD). In a way, I recognise its necessity, because most people who have been programmed into viewing Leftist ideology as normative do not suddenly arrive at our position. They move further to the right through increments and one needs structures through which to move them ever closer to Nature and to Truth. Equally though, I also realise that such vehicles as the AfD will attempt to pass off their politics as the whole truth and steer voters clear of asking fundamental questions about Germany's history, culture and the influence on them by other ethnicities, as well as voting for the Nationaldemokratische Partei Deutschlands (NPD). This is why I both criticise the AfD and recognise its necessity. Ultimately, the AfD are classical liberals, and the fact they are now portayed as "far Right" shows just how far Left the mainstream actually is. The mainstream also continually misrepresents their politicians as troublemakers who will inevitably engender racial and political tension and violence, when that is precisely what the Left is doing. A case in point is yesterday's attempted assassination of the AfD politician Frank Magnitz.
