A while ago, I wrote an article on the original 1973 version of The Wicker Man and the film's implicit whiteness in its distinctly European aesthetics, themes and morality. I am now going to give the same treatment to Mike Oldfield's 1976 arrangement of and accompanying video to the English folk tune "Portsmouth", as it serves as a great lesson in symbolism and aesthetics and how they relate to audience reception.
Hail the Sun |