SLEIGHT OF HAND

The basic premise of all trickery, which the trickster often condescends to call magic, is to distract the audience's attention one way while the deceit or sleight of hand is carried out in the opposing direction. 'Magicians', tricksters in reality, have been doing it on streets, in theatres and music halls and on televisions for years. Penn and Teller have been one of the biggest double acts since the 1990s, when they started appearing regularly on their own television shows. Currently, they have a series in both the US and the UK called Fool Us, in which 'magicians' are invited to perform tricks in an attempt to baffle the experienced duo in how the trick was done. There is, however, trickery going on at the meta-level of the programme, which is directed by a certain (((Dennis Rosenblatt)))....

 

 

 

As with the usual tricks, the audience is being misdirected. They are watching the acts performed on the stage, watching for the sleight of hand in the hope of catching the performer out. The cameras give us a good view of the tricks too, so that our conscious mind can concentrate on them; but while we are concentrating on them, the real trick is being worked on our unconscious mind. Let us take the video above: just have a look at the sleight of hand at 3:11. Just for a couple of seconds, enough for the unconscious to register, but perhaps not for the distracted conscious mind, a piece of miscegenation propaganda is slipped in, as the camera focuses in on an Asian female-European male couple. They say that a 'magician' should never repeat the same trick twice, and Penn and (((Teller))), who performed for Steven Spielberg on his stag night, rarely do it twice in one episode. Yet this particular trick is repeated with uncanny regularity over the five series, like below at 2:58, where the African male is either with the Asian or with the European female. Or perhaps they are all just friends in one happy oxymoronic melting pot of diversity:

 

 

There are a few more random ones I have picked out below, but I'm sure it's all cohencidence. Just as when the BBC cameramen, or camerapersons or cameragendernonbinaries at Wimbledon sweep across the crowd only to land quite by chance on a mixed-race couple or a half-caste child. "Oh you beast! How could you hate a poor little child? How could you be against love?" Except that the Left do not love any of these people and see them as mere unwitting tools to bring about their globalist letzte-mensch politics, like a 'magician' uses a rigged deck of cards.