This is an old article of mine from 2011, which I thought I would share with a few amendments, although the original can still be found on the British Democratic Party website. Regarding the 'Out of Africa' debate, it has become even more questionable as a reliable theory, which one has to remember started out as a fringe theory that was ridiculed before more evidence appeared to back it up from the 1920s onward. Forgetting the lesson of a century ago, that theories are often debunked in light of new evidence, people are now ridiculed for questioning a theory that more and more scientists are proving may be utterly false. Indeed, in 2017, tests done on skeletal remains from Graecopithecus freybergi appear to show a probable European forebear from 7.2 million years ago separate to Sahelanthropus tchadensis (which may or may not be a human forebear) from 7 million years ago. This evolution from separate ancestors was what scientists in the Far East had maintained was a distinct possibility and which I also mentioned in the article.
Last weekend marked the fiftieth anniversary of the music festival Woodstock. Held between 15th and 18th August 1969, the event has been heralded as one of the landmarks of the alleged former counterculture, now the prevalent cultural hegemony. It was billed as "An Aquarian Exposition" and "3 Days of Peace & Music", and was descended upon by around 400,000 impressionable baby boomers hungry for hedonism. The Aquarian reference is important, because it gives away the underlying ideology of "the Age of Aquarius" behind the event purported as innocuous at the time. Indeed, on this fiddieth anniversary of Woodstock, the media have not stopped crowing about how the event shaped hearts and minds and helped change society.
In this podcast, James, Neil and David take a look at Joe Dante's 1989 horror-comedy The 'Burbs, which featured a star-studded cast (Tom Hanks, Carrie Fisher, Bruce Dern, Henry Gibson, Corey Feldman) and was widely loved by the general public, but derided by critics. Indeed, we call professional film criticism into question, but also examine why Dante's blend of horror-comedy actually works, even though the critics do not seem to understand it. Also, Pizzagate rears its ugly head again....
The Mjolnir at the Movies trio look at the Academy Award winning film Chariots of Fire, perhaps most famous for its musical score by Vangelis. Superficially, the film seems to be a triumph-against-anti-Semitism vehicle for Zionist propaganda; but is it really? Is the portrayal of Harold Abrahams at all flattering? And is not the moral of the story that British society was simply too liberal, and in being so, allowed itself to be transformed by people like Abrahams? We take a look at the tension between the bourgeois ethos and the aristocratic ethos and how mercantilism transformed the world of sport. By breaking the moral codes of amateurism, Abrahams might have won gold at the 1924 Olympics, but did Britain?
In this Now Showing, James and David discuss the new Lion King and other
unnecessary remakes and sequels, the latest women-replace-men flick The
Kitchen, Tarantino's covering for Jollywood paedophile Roman Polanski
and its link to his new film Once Upon a Time in Hollywood and Polanski's imminent suffering-Jew flick An Officer and a Spy, and the
freshly filmed adaptation of Frank Herbert's Dune, due out next year,
among other things. We attempto to answer the greatest question in film: why are there so few creature features involving jellyfish....?
In this episode of Mjolnir at the Movies, we look at two thematically connected films: D W Griffith's epic masterpiece The Birth of a Nation and the equally majestic Gone with the Wind. Both concern the American Civil War and Reconstruction Era and both have courted their share of controversy, particularly The Birth of a Nation, in which the Ku Klux Klan are portrayed as liberating heroes. The film is rather topical, as last month, Bowling Green State University removed the pioneering star of the silent screen Lillian Gish's name from their theatre after a visit from Black Lives Matter co-founder Opal Tometi. The battle for the reinstatement of her name is still ongoing and supported even by actors like Helen Mirren and James Earl Jones. As the film is in the public domain, we have put it on the Mjolnir at the Movies channel for your viewing:
A few months ago, I had the honour of being contacted by the artist, musician and poet Robert N Taylor, who enquired about the possibility of me contributing some poems to a forthcoming anthology of the Red Salon Poets, a collective named after Robert and his wife Christina's sitting room. Naturally, I was only too pleased, and sent several poems to his wife Christina Finlayson Taylor, who was editing and also contributing to the collection, which she and her friend and fellow poetess Juleigh Howard-Hobson had named We've Seen the Same Horizon. Perhaps the greatest absence in the collection is some poetry by Robert himself, who provides a foreword, but this is not to detract from talents like Christina and Juleigh. I knew Juleigh's excellent work even before she appeared in Mjolnir Magazine, but Christina is a revelation to me, and her poetry is up there with the best I have seen. There are few who can write a convincing sonnet these days, but Christina is among them.
IT'S BACK! Banned by Youtube, this is a serious look at the Holocaust as
a religion, as preached by its priesthood in the halls of
pseudo-academia. We journey to Mühldorf in Bavaria to take a look at the
former concentration camp in the forest of Waldkraiburg and investigate
what really happened and expose some of the disinformation propagated
by the likes of the intellectually dishonest Jordan B Peterson. Note
well: This is not intended as hatred against any particular ethnic
group. Due to Youtube's repression of any intelligent inquiry into any contentious subject beyond parroting the quasi-religious dogma proffered by the political elites, we at Mjolnir Magazine are moving over to BitChute, so please subscribe to our channels:
