Thursday, 17 August 2017

REALITY CALLS FOR THE ALT RIGHT, OR THE CANCER OF EURASIANISM

As most Alt Righters will already know, 'Reality Calls' is the alias of Tara McCarthy, who is, as she herself stated in one of her Youtube videos, is majority White, but also partly of Indian, partly of Jewish extraction. The Indian admixture is known to be at 25%, the Jewish admixture unknown. Tara is very open about her Indian heritage (although she now downplays the percentage), less so about her Jewish forebears, and the video in which she discusses her Jewishness has been taken down. Given the rhetoric about Jews in the Alt Right, this is hardly surprising. Whatever her non-White origins, Tara poses a problem for the Alt Right, because she wants to be included - indeed, affirms her inclusion herself - and there are those who wish to include her. There are those, however, who do not, and I number myself among these and wish to explain why to those who have more latterly joined the movement and still carry with them the cancer of liberalism.




Sunday, 6 August 2017

FILM REVIEW: KNOW1ING, More Implicit Whiteness from Alex Proyas

Alex Proyas' 2009 film Knowing, styled as KNOW1NG, is a film for Alt Right autistes. It is not in the same league as his earlier work of genius, Dark City, either in terms of profundity or artistry, but it is certainly watchable. It appeals to the type of conspiracy theorist who sees patterns in any given date, time or random sequence of numbers. That said, some numbers are indeed targeted because of given mythical significance, like the magic six million, for example. In this case, the sequence of numbers refers to the dates, locations and death tolls of great disasters, hence the figure 1 in the titular gerund. 




Tuesday, 1 August 2017

FILM REVIEW: THE KARATE KID, How Hollywood Manipulates our Morals

The film director John G Avildsen died a few weeks ago at the age of 81. He is best remembered as the director of Rocky, for which he won an Academy Award, and The Karate Kid. He also directed the overt anti-Afrikaaner propaganda film The Power of One. Yet it is the more subtle attack on White American values in The Karate Kid I wish to concentrate on. Avildsen cannot be held solely responsible for the film, as films are almost invariably ensemble productions. One must also look to the scriptwriter Robert Mark Kamen, who may or may not be Jewish, and producer Jerry Weintraub, who certainly is.