TOP 10 POLITICALLY INCORRECT SONGS BY MAINSTREAM ARTISTS

It is unfortunate that the historic development of electric pop music has coincided with the domination of Leftist politics, where liberal capitalism funds Marxist socialist propaganda. John Lennon's song "Imagine", which gets pumped out over the airwaves after every Muslim terrorist attrocity to passify Whites for more of the same, is a prime example, distributed as it was by Capitol Records, then a division of EMI. Given where the money is, it is very difficult to find any songs by mainstream artists that do not toe the PC line, and any artists that do go against it are soon blacklisted and defamed, as was the case with Ian Stuart Donaldson, the leader of the band Skrewdriver, who had actually been on John Peel's BBC sessions series. Nonetheless, I have managed to come up with a Top 10 of politically incorrect songs for your delight and delectation. Enjoy.....

 

 

 

Number 10: Ian Dury had some rather Rightist leanings. In interview he would often defend his special school education in which self-reliance was taught to disabled children such as himself. Incensed by the Left's PC introduction of the patronising International Year of Disabled Persons for 1981, he wrote "Spasticus Autisticus" with the Blockheads in response, which describes disabilities in a humorous yet completely un-PC way. For Dury, disability was something not to be celebrated but to be overcome. The BBC promptly banned it from the airwaves:

 

 

 

Number 9: Dire Straits was led by Mark Knopfler, the son of a Marxist Jew and at one time included his brother David. That said, the bulk of their songs are apolitical, even if stunts like Live Aid and the benefit concert for Nelson Mandela's 70th birthday at which they appeared, certainly are. They did, however, try the usual bourgeois trick of insulting the working class for their lack of progressivism on the track "Money for Nothing", co-written and co-sung by Sting, which backfired spectacularly, as the PC police came down on them for the use of the word 'faggot'. Knopfler tried to explain that the words were those of a narrator, an envious delivery driver, but to no avail. The offending verse was cut for the single, as the album track would have been in any case too long. The problem really though is that everything the working-class narrator says rings true:

 

 

Number 8: The Clash sum up everything I hate about most punk bands. Creamy bourgeois and partly Semitic, they affected to be working-class rebels against the system while contracted to CBS and Sony. Their politics were always those of the extreme Left and were reflected in their lyrics, and they appeared at Rock Against Racism concerts, collaborated with the Anti-Nazi League and had Jewish paedophile and NAMBLA co-founder Allan Ginsburg appear on songs. In spite of the fact that "White Riot" was written as a response to the Notting Hill race riots of 1976 and meant to encourage Whites to unite with their "black brothers" against the supposed institutionally racist system, the lyrics are not explicit in expressing this back story and projected forward to the present, appear to encourage Whites to reject the schools in which they are brainwashed and riot against the current anti-White system, which, given The Clash's intentions, is deliciously ironic:

 

 

Number 7: What's wrong with "Killing an Arab?" you might ask. Nothing really. It is again another of those songs with a narrator that Leftists don't seem to understand. The narrator in this case is Meursault, the narrator of Albert Camus' novel L'Étranger, who unsurprisingly kills an Arab, in self-defence. Perhaps this is the real reason the Left hate the song, as they certainly do not want us to be able to defend ourselves from the relentless attacks by the hordes of Africans and Middle Easterners they are deliberately bringing into Europe to murder, rape and pillage. None of this was on The Cure's minds when they wrote it in 1978 though:

 

 

Number 6: Devo started out as a Leftist student performance art project, but quickly evolved into a band, although the performance art part was never totally abandoned. The odd thing is that they often address the concerns of the Radical Right, which has got them accused of fascism in the past. I have covered this in this previous article linked here and also why the single "Mongoloid" is one of the most consciously politically incorrect songs ever:

 

 

Number 5. Roy Harper is not a name that immediately conjures the imagination these days, but has been a huge influence on folk music and rock and roll since he began in 1964. He has collaborated with many more famous acts, including Kate Bush, Joni Mitchell, Led Zeppelin and Jethro Tull, and sang the vocals on Pink Floyd's "Have a Cigar". Harper is a typically cankered self-loathing middle-class Leftist whose song "I Hate the White Man" pretty-much sums him up. What is surprising is his 1990 song "The Black Cloud of Islam", especially given the extreme Left's alliance with militant Islam and Islamic terrorism in the West. The lyrics pull no punches in linking terrorist attrocities to Islam:

 

 

Number 4: Frank Zappa was pretty much a classical liberal (although he described himself as a 'practical conservative') who enjoyed being offensive and hated censorship, even going to a hearing of the United States Committee on Commerce, Science and Transportation to try to stop censorship legislation being brought in on the Recording Industry Association of America by the Parents Music Resource Centre, a pressure group set up by Al Gore's wife Tipper. Zappa also fell foul of the Jewish supremacist group the Anti-Defamation League for this particular gem from 1979, "Jewish Princess", which they tried to pressure the Federal Communications Committee into banning from the airwaves. It only served to make the album Sheik Yerbouti more popular and Zappa refused to apologise, stating, 'Unlike the unicorn, such creatures do exist — and deserve to be 'commemorated' with their own special opus' and 'as if to say there is no such thing as a Jewish Princess. Like I invented this?' What it lacks in musical merit, it certainly makes up for in its humorous lyrics:

 

Number 3: Morrissey has always been Right of centre, but his status as a well-respected songwriter and articulate intellectual has spared him from a lot of potential criticism. Basically, the Left have no one with the nous or wit to debate him. Even when he endorsed the For Britain Party this year, The Guardian grumbled a bit and that was that. As I have mentioned before, I do not endorse For Britain because of their slavish philo-Semitism and dubious links to militant Jewish supremacist groups, but given Morrissey's song from last year "Israel", he is of the same mind. Back in 1992 though, he wrote "The National Front Disco" with its upbeat tempo and its cry of 'England for the English!' The Left tell us that it's all just irony though or that it's just the story of a disillusioned young lad called David seduced by the politics of the Radical Right. Maybe, maybe not, but what they won't address is why David was disillusioned in the first place, because Morrissey has spoken out about Britain's decline, its loss of identity and the politicians' failure on many occasions:

'Theresa May was always a Prime Minister uninvited. She is incapable of leadership. She cannot say her own name unless it’s written down on a cue card in front of her. I recall her speech on Eid al-Adhar, and how she referred to it as a ”joyous celebration” … as millions of animals had their throats slit to mark the occasion. I wondered what kind of compassion she could possibly have. The answer is none. However, the Conservatives conserve nothing in modern Britain. In fact, they are the prime destructors of British heritage.'

 

 

Number 2: Guns N' Roses knew from the outset that their song from the album Lies "One in a Million" was going to cause controversy, hence the explanation and apology on the album cover. Half-caste guitarist Slash asked Axl Rose to drop the song he'd written, especially as it includes the word 'nigger', but Rose stuck to his guns, if you'll excuse the pun. In any case, he's only singing what we're all thinking in the lyrics:

Immigrants and faggots
They make no sense to me
They come to our country
And think they'll do as they please
Like start some mini Iran,
Or spread some fuckin' disease

 

The fact is that immigrants DO recreate the civilizations they come from, because those are the civilizations that are apposite to them. The disease referred to here is AIDS which in 1988 was known as 'the gay plague'. Homosexuals attempted to use political correctness to force people into saying that it was not true that just homosexuals were spreading the disease. True, but it was overwhelmingly queers and junkies nonetheless. Fast-forward to 2017 and the homosexual lobby in California pushed through a bill decriminalising knowingly infecting another person with HIV. The song was also covered by the aforementioned Ian Stuart Donaldson:

 

 

Number 1: The song "Guilty of Being White" was originally released by hardcore punk band Minor Threat on their eponymous album back in 1984. The lyrics expose the anti-White rhetoric of the Left and Blacks for what it is. Of course, the Left as usual perversely turned it around and accused the song of being a White supremacist anthem, which Minor Threat denied. The thrash metal band Slayer, however, when they covered it for the album Undisputed Attitude in 1996, turned things up a notch by ending the song with the line 'Guilty of being right!' which upset the PC brigade and Minor Threat's frontman Ian MacKaye. Slayer's guitarist Kerry King dismissed it as humorous, just as the band's National Socialist imagery has been dismissed as ironic. The lesson the Left has taught us is that anything can be dismissed as such in a society based on irony and empty virtue signalling with no fundamental beliefs:

 

So, that's the end of our chart. I hope you've enjoyed it and feel free to share it to amuse others for half an hour or so. I don't expect to be asked to become a DJ on BBC radio anytime soon. For one thing, I'm not a raging paedophile.....