MJOLNIR AT THE MOVIES EPISODE VIII: EXCALIBUR

Antoine Fuqua, you're not the one. Indeed, we try to steer clear of the great steaming turd that was 2004's King Arthur, as we indulge ourselves in the greatest cinematic version of the Arthurian legend ever made - and perhaps ever will be made - John Boorman's epic masterpiece Excalibur. In this podcast Neil and I are joined by film buff and fellow traveller James, who will be a regular member of the team. We try not to get over-excited by this film, but it's very difficult, so expect lots of superlatives as we tackle the film's major themes and dichotomies of Christianity vs Paganism, Nature vs civilization, masculinity and femininity, nationalism, myth and art. Is this the most Rightist film ever?

 

FILM REVIEW: EXCALIBUR, Further Right than Far Right

John Boorman's spectacular Arthurian epic Excalibur is one of those films everyone ought to have seen. It is one of those rarest of gems: a film that ennobles the spirit just by dint of having watched it. It is a Gesamtkunstwerk of the highest order that lifts one onto a higher plane, so that when one leaves the cinema, one has the barely controllable urge to do great deeds. And it is a film for the Right - not necessarily for the Alternative Right, but for the True Right, for the Right without compromise, for the Right that is elitist, for the Right that strives for the highest, for the Right that lies beyond the tainted, half-hearted measures of Fascism and National Socialism, yet which eschews despotism and embraces paternalism.