Let me first point out that I have no problem with Greg Johnson personally. I think, unlike many in the Aut Right, that he has done some sterling work in publishing Rightist poets, authors and philosophers like Juleigh Howard-Hobson, Tito Perdue and Jonathan Bowden. Indeed, contrary to how certain miscreants of the Aut Right attempt to portray me, any critiques I give are utterly impersonal. I do not care one jot about the 'flame wars' between the various personalities of the Aut Right who jockey for position and fame. Beyond exposing out-and-out frauds, the only thing I am interested in is the progression of the wider nationalist movement itself, and the question I always pose is: Does it help the movement? And this is exactly at the heart of the problem with Greg Johnson's essay "Gay Panic on the Alt Right". Although an old essay written in 2016, it resurfaced in the volume The Alternative Right, which mysteriously found its way to my doorstep a couple of months ago.
As the 70th anniversary to George Orwell's Nineteen Eighty-Four has come around, the Mjolnir at the Movies crowd decided to review.....Brazil (1985). We have a look at this dystopian
satire and what it reveals of the qualities Terry Gilliam has as a
director, the connections to Nineteen Eighty-Four, how much of it really
is satire and who might appreciate and identify with this movie. We
examine Gilliam's influences and why this tends to be a favourite with
Rightists, despite Gilliam's open support of Leftist politics. Do Sam Lowri and Harry Tuttle provide inspiration for domestic terrorists like Timothy McVeigh?
I thought I would recycle another of my old articles, which was in any case originally published on a website I no longer support. The rather dubious people behind that website have now removed my name from the article, but let it stand, in line with their dishonesty. There are two main reasons I wish to republish it here. The first is that a few weeks ago I received a copy of the Counter Currents publication The Alternative Right, in which an expurgated version of an article of mine appears, which was written back in 2016 before I became aware of just how fake and corrupt the Aut Right actually was. What is interesting though is Greg Johnson's essay 'Gay Panic on the Alt Right', in which he defends the LGBTQ+ community within the Aut Right. I aim to critique this essay in my next article, and this article below sets out the general philosophical arguments against homosexuality, as I have always considered homosexuality a symptom of mental illness. Certainly, scientists from over thirty major academic institutions have now conclusively proven that, contrary to their slogans, most homosexuals were not 'born this way' and there appears to be no 'gay gene', and is the second reason for republishing this article now, as philosophical arguments against homosexuality are now weighted by hard science. The onus is therefore on homosexuals to prove homosexuality has social value, which is a task Counter Currents seems to be engaged in, and where Counter Currents and Mjolnir Magazine profoundly disagree.
In Episode 25 of Mjolnir at the Movies, we review the Terminator franchise, in other words all five films and even the series The Sarah Connor Chronicles, with a look ahead to the forthcoming Terminator: Dark Fate. Such themes addressed include Linda Hamilton vs Mary Sue, the acting prowess of the Styrian Oak, the strange need for death camps and motorcycle knees in Terminator: Salvation, how masculine cinematic iconography is reused and recycled, the most inappropriate times for women to wash their tits, James Cameron's evolution into shitlibbery, the effects of marketing on film making, and Terminator midgets and Twinkie bars....
This is an old article of mine from 2011, which I thought I would share with a few amendments, although the original can still be found on the British Democratic Party website. Regarding the 'Out of Africa' debate, it has become even more questionable as a reliable theory, which one has to remember started out as a fringe theory that was ridiculed before more evidence appeared to back it up from the 1920s onward. Forgetting the lesson of a century ago, that theories are often debunked in light of new evidence, people are now ridiculed for questioning a theory that more and more scientists are proving may be utterly false. Indeed, in 2017, tests done on skeletal remains from Graecopithecus freybergi appear to show a probable European forebear from 7.2 million years ago separate to Sahelanthropus tchadensis (which may or may not be a human forebear) from 7 million years ago. This evolution from separate ancestors was what scientists in the Far East had maintained was a distinct possibility and which I also mentioned in the article.
Last weekend marked the fiftieth anniversary of the music festival Woodstock. Held between 15th and 18th August 1969, the event has been heralded as one of the landmarks of the alleged former counterculture, now the prevalent cultural hegemony. It was billed as "An Aquarian Exposition" and "3 Days of Peace & Music", and was descended upon by around 400,000 impressionable baby boomers hungry for hedonism. The Aquarian reference is important, because it gives away the underlying ideology of "the Age of Aquarius" behind the event purported as innocuous at the time. Indeed, on this fiddieth anniversary of Woodstock, the media have not stopped crowing about how the event shaped hearts and minds and helped change society.
In this podcast, James, Neil and David take a look at Joe Dante's 1989 horror-comedy The 'Burbs, which featured a star-studded cast (Tom Hanks, Carrie Fisher, Bruce Dern, Henry Gibson, Corey Feldman) and was widely loved by the general public, but derided by critics. Indeed, we call professional film criticism into question, but also examine why Dante's blend of horror-comedy actually works, even though the critics do not seem to understand it. Also, Pizzagate rears its ugly head again....
