THE ESOTERIC SIGNIFICANCE OF THE DEATH OF ROB REINER

There can be no doubt that Rob Reiner was one of the big Hollywood players. He was not a film director who immediately springs to mind when considering even the present upper echelon of cinema, and never won an Academy Award. However, three of his films have been included in the US National Film Registry, and he was, for many years, a reliable box office draw. Perhaps, however, it is the fact that this reliability disappeared back in the 1990s, to be replaced by the mediocrity and blandness that went hand in glove with his woke politics which has resulted in his relegation to the second tier. He could easily have been another Spielberg, both having the same broad range and diversity of films, but Spielberg generally treads carefully when caching his political didactics in his narratives. Reiner became clumsier with age and his storytelling unengaging, resulting in failure after failure, with only Jewish and political tribalism sparing him from consequence.

 

 

This year saw him try to rediscover what had once made him marketable, with a belated sequel to This Is Spinal Tap, but box office figures showed that, despite all the publicity, Spinal Tap were no longer relevant in the current year. Remember when the Left were all barking that it was the current year? Well the Left has always presumed that the changing years would always favour them. Spinal Tap was funny and relevant in 1984 because the Anglosphere was still culturally dominated by White rock music with all of its inherent clichés, which could easily be parodied. The only relevance in 2025 would be that on the meta-level, two of the band members are really of Jewish background playing caricatures of Ethnic Europeans in a film also written and directed by Jews; but this is hardly saleable.

 

From the Centre-Left to the so-called Far Right, people have become disillusioned with mainstream Hollywood and its tired rehashes of old formulae and woke parables. The Extreme Left and Zionist Jews may still hold the reigns of cultural power, but what does it matter if no one gets on board the carriage? Indeed, the slow demise of Reiner’s career has paralleled that of Hollywood in general, and came as a foreshadowing and ironic inversion of his own death, just as his hypocritical wokist Weltanschauung led to the slow destruction of his own family, followed by his rather swift demise, along with that of his wife.

 

The Reiners, Rob and wife Michele, helped found First 5 California, a programme to “educate” children under five, so that they will grow up to be liberals. One notes that in all Occidental countries, the starting age for “education” is getting lower and lower, with France’s pervert-in-chief Emmanuel Macron having introduced compulsory education from the age of three. This goes hand-in-glove with their LGBTQ(P) agenda, to which Reiner was and Macron is committed. Reiner was obsessed with childhood “education”, having been a key lobbyist in California Propositions 10 and 82. All this, and picking up a SAMHSA Special Recognition Awards for efforts to improve public awareness and understanding of behavioral health issues, and for speaking out about the importance of family support for those living with mental illness and addiction, and all the while hiding the fact that Rob was head of a dysfunctional family, with Nick continuing his drug use that is endemic to Hollywood life.

 

Donald Trump, who had been a favourite target of Reiner’s vitriol, wasted no time in offering his insincere condolences:

 

 

 

As usual, he made it all about himself, yet there was a grain of truth in the Tweet: Reiner had a habit of bullying others with whom he did not agree. We may never know the nature of the argument between Reiner and son, which led to the murder, but Reiner and friends deemed Nick’s behaviour at a party “unacceptable”. It would be interesting to know what was unacceptable from a man who preached the acceptance of all sorts of abnormal behaviours, while denigrating those who hold to healthy and Natural norms.

 

What was also interesting was genocidal Zionist manlet Ben Shapiro’s criticism of Donald Trump’s Tweet:

 

 

Ostensibly, it is odd that Shapiro would come the defence of a wokist, but he is, of course, coming to the defence of a fellow Jew, which is Shapiro’s only train of thought. Ever. Indeed, he no doubt approves of Reiner’s efforts in the deconstruction of European America. The noticing will continue until things improve.

 

In contrast, Laura Loomer supported Trump, blaming Reiner’s liberal permissiveness for his own downfall. One cannot help but notice that she is currently jockeying for power in Trump’s coterie, and even Jews, as tribalistic as they are, do not hesitate to shaft one another for personal gain under certain circumstances. One of the reasons they must live among other peoples it that left alone they turn on each other. One only has to read their own Book of Exodus to realise this. Yet she is correct, even if she does not wish to address the root causes of why Reiner was so liberal, because Loomer, like Shapiro, is an ardent Semitist.

 

Indeed, one cannot ignore Reiner’s Jewishness in all of this, for the media foregrounded the fact that he was “a Jewish victim” of murder. They were much less forthcoming when it came to the Jewishness of the perpetrator, his own son Nick. It was almost as though they wished to portray it as an anti-Semitic attack. As usual, it is a case of Jews creating their own problems because of the culture they have created in which self-reflexion is rejected in favour of projection onto the Ethnic European, whom they blame for all their ills. Leftist Jews and their Zionist helpers masquerading as Rightist, who both deconstruct the Other, never stop to think that their own body of theory and propaganda will inevitably be taken at face value by members of the Same. In Reiner’s case, his internalisation of a Jewish psychological weapon against the Ethnic European caused his and his wife’s own downfall.

 

It was no accident that the couple were murdered on the first day of Hanukkah by their son Nick, but fate. Old Nick is a colloquial name for Satan, the Jewish idol Yahweh’s creation and the source of absolute evil. As Yahweh embodies the Jewish spirit, the Jew creates Satan in his own image just as the father creates the son. One must consider this patricide as both symbolic and theistic, even if Reiner was an atheistic Jew, which means he believed in his Jewishness even if he did not believe in Judaism. His culture was Jewish; his wife was Jewish; his friends were Jewish: of all the friends who issued a joint statement (Albert Brooks, Billy Crystal, Larry David, Martin Short, Barry Levinson, Marc Shaiman and Alan Zweibel) to say what an all-round great guy and absolute genius he was, all but one were Jewish. Again though, the deconstruction of the Other has resulted in the deconstruction of the Same, this time destroying the connection with the Divine and destroying the sacred bond between ancestor and progeny. Only a Pagan can truly understand what has happened here.

 

Most Jews do not even realise what their religion is anymore, for, like the Christian, they have lost sight of its beginning in ancestor worship and of the gods on the material level, as primogenitors of race and nation. Jewish blood is no longer divine, for Adam is their forefather, a mortal man. Equally, many of their once rich and diverse Canaanite pantheon have been literally demonised (one thinks of Baal and Dagon in particular here), while goddesses like Asherah and Astarte were erased in the attack on the Divine Feminine; then gods like El became absorbed into the single entity Yahweh, who is utterly alien and schizoid as a composite of a deconstructed pantheon into one being. This is the being Abraham fabricates, with which he makes his covenant and, as the various other Semitic tribes also devolve into monotheistic cults focused on one particular deity of the pantheon, all other gods are to be deconstructed as “false idols”.

 

This has been the story of the Jews since Abraham: the story of the deconstruction and destruction of the Other as a holy task, with the Christian and Muslim more latterly aiding and abetting in the task. Ever since the covenant, the Jews have engaged in sectarian wars against their neighbours: every other tribe and deity became a “satan”, meaning adversary, until Satan became itself a fabricated entity as a personification of pure evil. Even as the belief in Yahweh has declined among Jews, deconstruction has become such a psychic reflex that it has become all-pervasive, including, for some, the deconstruction of the self, which has created the “self-hating Jew” stereotype. This is the reason the Jew generally tries to avoid self-reflexion, and why there are, politically speaking, two types of Jew: the Leftist Jew who deconstructs his host society as he deconstructs himself, and the Rightist Jew who deconstructs his host society as his “holy mission” under the divine promise of worldly power for his own tribe. Shapiro and Loomer are of the Rightist type, Reiner of the Leftist.

 

The Leftist type is a wellspring of nihilism; he is ever to be found in political activism, where he can engage himself in tearing down everything that gives substance, stability and meaning to others and to himself. Every institution must be subverted, every law and moral code turned on its head. And thus Reiner worked to destigmatise drug abuse while stigmatising smoking, promote LGBTQ(P) over heteronormativity, the cult of “mental health awareness” over sanity. Is there any wonder his son Nick grew up confused, mentally ill and turned to drugs? Is there any wonder that, without good moral and spiritual foundations, he turned to the murder of his own father?

 

The Zionist Jews like to propagandise themselves as a people in total control, but this is a facade. The Jews are a people in crisis. As usual as a people, they have overreached, become megalomaniacal and made themselves extremely unpopular on a global scale. The actions of Zionist Jews against the Palestinians both in Palestine and in the Diaspora, where Jewish power is used to facilitate the genocide, may not sit well with the Leftist Jews, but it has made Ethnic Europeans wake up and notice the amount of power Jews of all stripes have over them. 2026 will be the year of the Great Noticing. Jews will then be stripped of their power, as boycotts of their companies increase and Jewish candidates are eschewed at the ballot box. As Ethnic Europeans recover their national consciousnesses, both racially and spiritually in their return to their ethnic Pagan religions, Jews will find us impossible to deconstruct, and will fall victim to their own Left.

 

All empires are doomed to fracture and fall to national consciousnesses; it was so of the Roman, and more latterly of the British and French. The Jewish Empire will fall spectacularly, for one cannot hold an empire together on deconstruction theory. Deconstruction only works when tearing down a rival’s structures, but not when trying to build and maintain one’s own. Equally the ruling ethnicity comprises such a small percentage of the overall empire’s population and relies heavily on collaborators to function. As national consciousnesses grow, the collaborator will find himself increasingly scorned and the rewards for collaboration will turn to punishments as power changes hands, as was the case in France in the 1940s. Collaboration will cease, leaving the Jews alone, either among themselves or surrounded by those they have previously oppressed. They will be left with their own deconstructive culture, which will produce more Nick Reiners.

 

Imagine if you will A Few Good Men being applied to the Israeli military complex or Ghosts of Mississippi being applied to the segregation of Palestinians. Imagine the self-hatred that would engender. As a last thought, the Extreme Left and Zionist Jews believe that AI will give them farther control, but this is a mistake. If anything, it will lead to the total democratisation of cultural power, where a film can be made via AI for peanuts. Within five years there will be no need for actors nor the building of sets; a good script and an artistic eye will be enough to create masterpieces of cinema from one’s own desk. The imperialist Jewish cultural hegemony will be broken. We will be able to take back that medium made by European genius in the Brothers Lumière and use it to our own benefit; instead of being barraged by a constant stream of negative propaganda, we will be able to bring to the screen narratives that inspire and uplift new generations of Ethnic Europeans.