It has been brought to my attention that you at "National Vanguard" have been posting my articles on your website. You have neither permission nor have even sought permission to do so. What is stranger is that my name as author of said articles does not even appear; instead, the name of whoever posted the article on your website is there next to the title, as though he alone is solely responsible for it. At the bottom, finally, is a link to my website from where it was lifted. What you are doing is nothing short of intellectual theft. In short, to use an old-fashioned verb you will be most familiar with, you are jewing me. That said, unlike "National Vanguard", I do not scapegoat the Jew for the decline of the White European; and again, my articles are being carefully selected, and in some cases bowdlerised through editorial comment, to create a false impression that I blame all our ills on people of Jewish extraction. Let me make myself clear, the fault for our present situation lies totally with corrupt White Europeans in positions of power, and has done throughout history. The Jews, speaking as a broad group rather than individuals, have taken advantage of their corruption, but they are not the only other ethnic group to do so. Certainly, the Arab and the Chinaman are also having great success in world domination as the White European is disenfranchised, because our own leadership in its corruption has surrended its authority to that of the Other.
Otto Dix was a German artist who is now celebrated as one of the great painters of the twentieth century, probably in no small part because he was put on the National Socialists' list of degenerate artists, as, to the unthinking postmodern Left, anything the National Socialists hated is automatically considered good. Equally though, the postmodern cultureless cartoon Nazis of today's corrupted Right consider him a degenerate artist also simply because his artworks were deemed Entartete Kunst by the NSDAP. The irony is that Dix's work is far more congruent with the concerns of the Right than those of the Left and so I thought it was about time to reassess the man and his oeuvre.
