From the 1960s to the 1990s there was a false consciousness perpetuated by the Leftist and Jewish-controlled media regarding the alleged superiority of the Negro boxer. Results seemingly supported this, and social factors were ignored. European training methods and facilities were well behind the times in comparison to those of America, and boxing was well-funded in the inner city areas dominated by Negro demographics by both governmental and private "philanthropy". In spite of this, there was still a steady stream of White European world boxing champions from Britain like Ken Buchanan, Barry McGuigan, Terry Marsh and Alan Minter (who sadly died last year). Many Western European countries also disprivileged boxing as a sport as politics moved to the Left and therefore away from traditional forms of masculinity - although there was a definite double standard when it came to non-White males. Boxing clubs were closed in Britain's industrial towns, but funded in the inner cities, while the sport was banned in countries like Sweden. Of course, half of Europe's boxers were denied the chance to compete in the professional ranks because of the Iron Curtain. The Hungarian Olympic gold medalist Laszlo Papp managed to sneak over to Austria to compete as a professional and go unbeaten in 29 fights before the communist authories put a stop to his career right before his world title bout in 1964.
First and foremost: congratulations to Josh Taylor on becoming undisputed world light welterweight boxing champion last weekend. He now joins the likes of fellow Scot Ken Buchanan, Joe Calzaghe, Jimmy Wilde and Tom Cribb on the list of the all-time great British pugilists and is only the sixth man to become undisputed champion of a weight division in the four belt era. He also possesses The Ring belt, which is usually a good indication of who the real champion in a division is when the belts are dispersed. That he achieved the feat of unifying the belt in spite of obvious bias by both judges and referee makes it all the more special.
To reiterate my introduction to the last GKC article, the
Chesterton family were ever friends to the nationalist cause. Whatever
flaws they as individuals had were minor ones; their hearts were in the
right place. It gives me great pride that I wrote an article for the magazine founded by A K Chesterton, Candour, which itself was the successor to Cecil Chesterton's New Witness and which I advise everyone to support by purchasing their literature etc. They also publish many books worth reading. Perhaps G K Chesterton's biggest flaw was that he only made it half-way
to Paganism in adopting Roman Catholicism as his religion, in spite of
him acknowledging that the things he loved in life and culture were the
remnants of our Pagan past, and he often railed against the Puritan
wellspring of liberalism and capitalism. In this article, he highlights the reasons why marriage and the home are a boon for the British lower classes and, conversely, why the capitalist plutocrat, often in the guise of a socialist, who are of the same ilk, wishes to destroy them.
The Chesterton family were ever friends to the nationalist cause. Whatever flaws they as individuals had were minor ones; their hearts were in the right place. It gives me great pride that I wrote an article for the magazine founded by A K Chesterton, Candour, which itself was the successor to Cecil Chesterton's New Witness and which I advise everyone to support by purchasing their literature etc. They also publish many books worth reading. Perhaps G K Chesterton's biggest flaw was that he only made it half-way to Paganism in adopting Roman Catholicism as his religion, in spite of him acknowledging that the things he loved in life and culture were the remnants of our Pagan past, and he often railed against the Puritan wellspring of liberalism and capitalism. In this article, which is as much for our time as that of 1917, he highlights the conspiracy of the media, for which he would probably be called a conspiracy theorist today, in spite of every word he says about the media being true. The end paragraph refers to the Marconi Scandal and how the media avoided naming the principle movers and shakers in the corruption as Jewish.
It has been brought to my attention that you at "National Vanguard" have been posting my articles on your website. You have neither permission nor have even sought permission to do so. What is stranger is that my name as author of said articles does not even appear; instead, the name of whoever posted the article on your website is there next to the title, as though he alone is solely responsible for it. At the bottom, finally, is a link to my website from where it was lifted. What you are doing is nothing short of intellectual theft. In short, to use an old-fashioned verb you will be most familiar with, you are jewing me. That said, unlike "National Vanguard", I do not scapegoat the Jew for the decline of the White European; and again, my articles are being carefully selected, and in some cases bowdlerised through editorial comment, to create a false impression that I blame all our ills on people of Jewish extraction. Let me make myself clear, the fault for our present situation lies totally with corrupt White Europeans in positions of power, and has done throughout history. The Jews, speaking as a broad group rather than individuals, have taken advantage of their corruption, but they are not the only other ethnic group to do so. Certainly, the Arab and the Chinaman are also having great success in world domination as the White European is disenfranchised, because our own leadership in its corruption has surrended its authority to that of the Other.
A
lot of us make reference to Tolkien and The Lord of the Rings. But let
us imagine the hobbits set off to defend the Shire after Saruman had
turned it into an industrialised shithole full of alien invaders. That
is the task that we face. We must defend not the Shire that is, but the
memory of the Shire that once was, that it may be so again.
There have been a number of songs entitled "Runaway" over the years. Most have been throwaway Runaways that have no musical or cultural significance whatsoever. The first "Runaway", however, unbelievably turned sixty in the early part of this year and is a landmark of not just White American music, but popular music in general. It starts off quite innocuously as a nice catchy rock 'n' roll number with Del Shannon on guitar and vocals. We are constantly sold the myth by the usual suspects in control of our pseudo-historical narrative that rock 'n' roll was invented by Black Americans and arose out of twelve-bar blues. This is, like all good lies, partly true. What is missing is of course the White European folk music element that goes back centuries. After all, Europeans were playing stringed instruments long before they were introduced to Negroes. The lute, the lyre and later the guitar were staples of European music, and then the electric guitar was invented and developed solely by people of White European descent, notably George Beauchamp, Adolph Rickenbacker, Doc Kauffman and Leo Fender. Del Shannon is at the top of his game in this track, but then something even more special happens.
