It has been brought to my attention that you at "National Vanguard" have been posting my articles on your website. You have neither permission nor have even sought permission to do so. What is stranger is that my name as author of said articles does not even appear; instead, the name of whoever posted the article on your website is there next to the title, as though he alone is solely responsible for it. At the bottom, finally, is a link to my website from where it was lifted. What you are doing is nothing short of intellectual theft. In short, to use an old-fashioned verb you will be most familiar with, you are jewing me. That said, unlike "National Vanguard", I do not scapegoat the Jew for the decline of the White European; and again, my articles are being carefully selected, and in some cases bowdlerised through editorial comment, to create a false impression that I blame all our ills on people of Jewish extraction. Let me make myself clear, the fault for our present situation lies totally with corrupt White Europeans in positions of power, and has done throughout history. The Jews, speaking as a broad group rather than individuals, have taken advantage of their corruption, but they are not the only other ethnic group to do so. Certainly, the Arab and the Chinaman are also having great success in world domination as the White European is disenfranchised, because our own leadership in its corruption has surrended its authority to that of the Other.
A
lot of us make reference to Tolkien and The Lord of the Rings. But let
us imagine the hobbits set off to defend the Shire after Saruman had
turned it into an industrialised shithole full of alien invaders. That
is the task that we face. We must defend not the Shire that is, but the
memory of the Shire that once was, that it may be so again.
There have been a number of songs entitled "Runaway" over the years. Most have been throwaway Runaways that have no musical or cultural significance whatsoever. The first "Runaway", however, unbelievably turned sixty in the early part of this year and is a landmark of not just White American music, but popular music in general. It starts off quite innocuously as a nice catchy rock 'n' roll number with Del Shannon on guitar and vocals. We are constantly sold the myth by the usual suspects in control of our pseudo-historical narrative that rock 'n' roll was invented by Black Americans and arose out of twelve-bar blues. This is, like all good lies, partly true. What is missing is of course the White European folk music element that goes back centuries. After all, Europeans were playing stringed instruments long before they were introduced to Negroes. The lute, the lyre and later the guitar were staples of European music, and then the electric guitar was invented and developed solely by people of White European descent, notably George Beauchamp, Adolph Rickenbacker, Doc Kauffman and Leo Fender. Del Shannon is at the top of his game in this track, but then something even more special happens.
